[To give a little background for those of you who may not have already heard my 3-day-long description of all that is the Pygmalion Music Festival (named for the Slowdive album of the same name, according to Wikipedia) already….]
Wednesday, September 16th, was the official start of the 2009 Pygmalion Music Festival here in our twin cities. The festival takes place in 14 different venues around Champaign-Urbana and goes on for 4 days. Yes, that’s right, 4 whole days of musical multitudes everywhere you look! In past years, the majority of the bands have been local. However this year, Seth Fein, the man behind the melodic curtain, has pulled a talent pool that is pretty far-reaching in addition to our own set of local loves. How many groups are there this year, you may ask? Well, let me tell you. There are not 5, not 20, not even just 50….no, there are 102 acts being performed within our lovely little Midwestern towns! This is my yearly Bliss-Week to say the least. No work, lots of groovy tunes, and the chance to find a new musical amore.
Of course, the Pygmalion experience would just not be the same without my mah’velous co-concert-goer, Ms. E. We have been attending the festival since the first year it started (2005). Not only do we generally share the same tastes in musical selections, but she is also one of the most fabulous resources for musical tidbits and has a magical ability to create “personal space” in cramped crowds, a skill more helpful than one may first realize at places such as Canopy Club.
As mentioned in my previous post, Day 1 of Pygmalion is the easiest on the decision-making neurons in the brain. There is only one show the first night of the festival, and this year started out with some old favorites. Wednesday’s venue was the Canopy Club, not my favorite locale by any means, but it has a large stage and some good dance floor boogey-room at least. This was also the only night that the boys were allowed to join in on the festivities, so our group was a little larger. The official lineup started with Common Loon and then Mt. St. Helen’s Vietnam Band; however, we missed those two. So our 2009 personal Pygmalion experience started with Owen…
Owen is actually Mike Kinsella of Chicago. He played in a few different groups before deciding to try and make it on his own. Wednesday’s performance at Canopy Club was unique in that it was the first time he played with a band in C-U as Owen. Previously his live sets were acoustic, and, while that works nicely with his lyrically-driven tunes, there was also an edge to his music that made one almost uncomfortable to be in the room. In comparing his solo performances to Wednesday night’s inclusion of a keyboardist, bassist, electric guitarist, and violinist, I must say that the band definitely “softens” his sound. The accompaniments took the “angry man” feel out of the music a little bit and really let you listen in. It worked beautifully. The crowd size was pretty good. And while there was not a lot of bouncing around the room, the audience was definitely tuned-in. Instead of feeling like you were being “sung at”, it felt as if you were part of the experience.
After a quick setup (kudos to Canopy for kicking it a up a notch this year with being on time), the next band on the playbill, Japandroids, took the stage. Japandroids are a duo from Vancouver, Canada. Prior to their performance, I knew nothing of their music styling other than that there was a bit of excitement in the press about their upcoming presence. Having since heard their tenacious tunes, I can fairly say that, while it is not really my favorite type of music, their show was interesting in its own way. The duo plays only the drums and an electric, but they somehow made the large(r) Canopy stage look small. Their sound was that big. The lead guitarist was quite a rocker…legs spread, heavy head-banging, skinny jeans and all. Boy, could he wail. The drummer really kept the beats going and the two seemed to be having fun on stage, playing off of each other as well as interacting with the crowd. And the crowd loved it. Unfortunately for the people who hit the floor, this performance also allowed me to witness the most unsuccessful attempt of crowd surfing….ever. There was a very enthusiastic group of young men who were determined to keep trying to surf, but that determination wasn’t enough to keep them afloat. From my vantage point on the balcony, it looked like little ants sinking into quicksand.
With ears slightly ringing our quartet awaited the locally-loved Headlights. To give credit where credit is due, the Headlights are one of the bands that initially pulled me into the local music scene. Their bouncy infectious beats made me remember how much fun pop music can be when I was neck-deep in listening to pensive, slow, and often depressive indie music. Since that first experience, at the Canopy Club as well, they have continued to be perfectly pleasing during their live performances. And this show was especially anticipated as it was their new third cd’s, Wildlife, pre-release.
The Headlights hit the stage, all smiles and bearing balloons, which were quickly bouncing here and there around the large crowd. The group started out with 3 members but now has officially become a quartet (Erin Fein on keyboard and vocals, Tristan Wraight on guitar and vocals, Brett Sanderson on drums, and now Nick Sanborn, who won my heart by looking like Happy Snoopy while rocking it out on bass.) And all 4 members mesh well when performing. They played some new tunes, but the old stand-byes are what got the real response from the crowd. About 2/3 of the way through the show, they invited fans to join them on stage for “Cherry Tulips”. [And someone present was nice enough to tape this fan-inclusion…if you’d like to see a couple of the songs that were recorded live, click here.] This is where the energy really picked up. And it kept going. While playing some of their “oldies”, the energy became palpable and the stage was vibrantly alive. A few songs later, the Headlights announced that they had a new song to “share their feelings”, but didn’t want to kick everyone off stage. So they played another more upbeat oldie and kept the party going. Good choice.
From the first time I saw them, I’ve thought that the Headlights have a great gift at reading the audience and modifying what works and what won’t at each show. Wednesday night was a perfect example of that. However, as their more recent albums, Wildlife included, have become more introspective, I wonder if they may lose some of that connection with their fans at live shows. When playing the slower, more somber songs, it somehow lacks a little of that “pop” that makes them so great. But they still have the smiles, the banter, and look of just having fun. Hopefully there is a happy medium that will let them continue to grow while still keeping that certain something.
As for our own quartet, we were bounced-out and ready to head back after a thoroughly satisfying first night. At previous Pygmalions, the Headlights have often played on the final evening, but this year proved they are the perfect performers to get the festival going.





Today was a picture perfect day…both inside and out. [So for once, I actually took a picture.]
